Top 8 Longest Movies Ever Made
Top 8 Longest Movies Ever Made the duration of a movie is significant. Some movies extend beyond three hours, although the plot necessitates a slower pace. Furthermore, some of the lengthiest movies ever made, aside from being among the best of all time, also hold the record for the longest running time. On average, the run time of most films by Andrei Tarkovsky, Bela Tarr, and Sergio Leone is approximately 150 minutes.
Typically, lengthier films are pleasurable since they offer a more comprehensive exploration of the characters and their environments, as well as the chronicling of extensive storylines that encompass several decades. Now that we have addressed that, let’s take a look at some of the longest films in the world. We made sure to only include notable cinematic works of long-form on this list. This page will provide answers to questions such as “what is the length of the longest movie” and “which is the longest film ever made.” Have you watched the longest film currently available on Netflix?
Table of Contents
Part II of The Godfather (1974)
Perhaps one of the most heart-wrenching examples of a character transformation in cinema is portrayed in Francis Ford Coppola’s Shakespearean tragedy, The Godfather. In the film, an idealistic war hero transforms into a ruthless mafia don through his involvement in the family business.
The film employs a dual narrative approach to explore both the rise of Vito Corleone as a mobster and the downfall of his son Michael, both of which are portrayed brilliantly by the talented Al Pacino.
While some viewers may have preferred the considerably shorter first installment, it was in the longer and more intricate sequel that the characters were given the depth and complexity they deserved.
The Godfather Part II, released in 1974, is an American epic crime movie produced and directed by Francis Ford Coppola, based on Mario Puzo’s 1969 novel The Godfather. The film serves as both a continuation and prequel to The Godfather, featuring parallel storylines: one follows the story of Michael Corleone as the new Don of the Corleone crime family in 1958, trying to maintain the family business in the aftermath of an assassination attempt;
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Andrei Rublev (1966)
Throughout his career, Andrei Tarkovsky crafted numerous masterpieces, but “Andrei Rublev” is arguably his most intimate and heartfelt work. The film tells the story of a 15th-century Russian icon painter who grapples with the spiritual and personal devastation wrought by his country’s complex political and cultural conflicts.
Clocking in at over 205 minutes, the film takes its time to establish the narrative, but the payoff is nothing short of spectacular. As with most of Tarkovsky’s films, the total experience is too profound to be expressed in words. “Andrei Rublev” presents a heartbreakingly accurate depiction of a period and a culture grappling with its flaws and inner turmoil.
The Boat (1981)
“Das Boot” follows the narrative of a U-boat crew during World War II, depicting their challenges, inner tensions, ennui, and the toll of the ridiculous cruelty of war.
The film’s portrayal of war, particularly its intensely personal nature, is both gritty and unflinchingly bold. Military personnel are not glorified as heroes, but rather portrayed as ordinary individuals trying their best to defend their nation. However, the harsh realities of a prolonged and futile war begin to take a toll on them. The film has been released in various versions, with the longest cut lasting approximately 209 minutes.
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975)
“Jeanne Dielman” is a revolutionary feminist masterpiece by Chantal Akerman, running for three and a half hours. The film depicts a woman’s daily routine, including preparing a meatloaf, peeling potatoes, grocery shopping, taking a bath, and doing housework. Rather than attempting to deceive or evoke sympathy for the character, Akerman allows the audience to witness how the monotony of her life slowly and brutally destroys her spirit.
The film is widely regarded as a milestone of avant-garde filmmaking and one of the greatest feminist films ever made.
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Seven Samurai (1954)
Akira Kurosawa’s pioneering work, often regarded as the greatest action film ever made, has a runtime of more than 227 minutes, yet it never feels tedious.
The movie portrays a seasoned samurai and a group of peasants who join forces to confront a band of robbers intent on stealing their crops. Despite its age, the high-energy action sequences in “Seven Samurai” are commended for their technical and narrative advancements, making the film more thrilling and captivating than most modern-day action films.
Although many of the film’s innovations are now commonly used, a new generation of movie enthusiasts may have difficulty recognizing its brilliance. Nevertheless, the film is worth watching for its groundbreaking concepts and sheer entertainment value throughout.
Once Upon a Time in America (1984)
Sergio Leone’s melancholy masterpiece is a blend of recollections from childhood, imagination, past romances, and remorse. The gangster genre gained popularity thanks to Francis Ford Coppola’s glamorous and stylized portrayal of mafia bosses in “The Godfather,” but “Once Upon a Time in America” explores the overlooked characters who strive to achieve their dreams and face the harsh realities of life. These ordinary men struggle with the daily grind, and the movie centers on the victims and perpetrators of gang violence rather than on the groundbreaking dons like in Coppola’s film.
These individuals could be our forefathers. The film’s running time was reduced to 139 minutes by the studio, leading to widespread negative reviews and poor box office performance. Despite this, even years later, critics and audiences still consider the 229-minute version to be one of the greatest films ever made.
The Itinerant Performers (1975)
Theo Angelopoulos, a celebrated filmmaker from Greece, has always had a profound fascination with the history of his homeland. “The Traveling Players,” a colossal masterpiece, encapsulates everything Angelopoulos has strived for as a filmmaker.
The movie is one of the longest ever made, with a runtime of almost four hours, and it is grand in scope and aspiration. It follows a group of theatre actors as they witness the various political upheavals that have afflicted their beloved country throughout history.
A Sunny Summer Day (1991)
As someone not accustomed to Southeast Asian cinema, I often find it challenging to connect with the films emotionally. However, Edward Yang’s “A Bright Summer Day” deeply moved and entertained me.
The movie portrays the violent escalation of a fight between two gangs of teenagers in a neighbourhood, exploring themes of cultural and racial identity, violence, sexuality, love, and adolescence. Despite its runtime of 237 minutes, the film is an unforgettable experience that will stay with you long after the credits roll.